Friday, April 15, 2016
Here are some images from our latest photo trip.
An old bridge, 100 years old in fact, and some wildflowers growing nearby.
Rendered in color, black & white, and B&W infrared.
We'll be back here in the Fall to get some new Autumn Color pics.
Available for sale on my gallery linked in the header.
Wednesday, March 30, 2016
It's the photographer that makes the image. That's an axiom. A good photographer can make wonderful images with whatever equipment they have access to. And... a fantastic, state-of-the-art, super duper, expensive camera can produce lackluster results if not used properly.
With THAT out of the way...
I love photography. All types. I've applied myself over several decades to refine my art and craft. And I really REALLY like some of the cool machines I've owned or used. So, here is a brief history of my cameras thru out the ages:
To begin with, I first remember at about age 6 using a folding Polaroid and peel apart film. That goo we spread on the B&W prints was really smelly. And we saved the negatives to order prints from (or print yourself).
Finally got my own darkroom at age 17 when I won my bid to do the corporate portraits for the engineering firm my Dad worked at. The profit from that job paid for the entire darkroom and more.
So, I was a professional photographer in the real sense. People paid me for photographs I took. Besides the portraits, I did job site photos of construction projects and finished plants and buildings. Did you know that some of the best views of a petro-chem refinery can be found at 2:00am from one hundred feet in the air?
Obviously, I was using higher caliber equipment by this time. I purchased cameras and lenses used and new as I needed them. One of my first 'real' cameras was a Nikkormat FT, later upgrading to the Nikon FM. I was working part time at a camera retail store in my late teens and early 20s. Discounts were not to be had on the extremely slim margins photographic retail operated on for bodies and lenses, but I had 1st choice of virtually any trade in that came thru the doors. Plus, I could borrow store/dealer/rep demo cameras that would later be sold at huge discounts. Which is how I fell in love with the Nikon F2AS and Hasselblad 500C/M outfits.
I settled for owning the Nikon FM with a variety of lenses (including the legendary 105mm f/2.5), a Leica M3 with several lenses (50mm Dual Range was a fave), and the early Mamiya 645 system for weddings.
I kept those for a long time, but I did add to and sometimes replaced with other systems for various reasons. Like, for size, I opted in to the Olympus OM system with the OM-1 and OM-2SP. Also, for certain specialty lenses such as the 250mm f/5.6 mirror lens (great for astrophotography) on a Minolta XD-11.
For the one season I shot high school and junior college football playoffs, I used the built for sports photography Canon F1 system. Their lightweight telephotos and the F1's Speed Finder were great for that use.
Now, I don't use my 35mm film cameras (what few I have left) much at all, but am constantly upgrading to better, higher image quality DSLRs, lenses, and all the supporting image manipulation software. I still use some roll film medium format folders from time to time for personal B&W, but all my WORK is digital.
I enjoyed my trip down Camera Memory Lane, hope you did as well.
Monday, March 28, 2016
We've been doing a lot of commercial work in and around Amarillo TX and other parts of North Texas the last couple of months. Not wanting to waste any opportunities, we scoured the area online and on the road for interesting photographic subjects.
Any place can have lots of interesting photographs just waiting to found by the right artists. Enjoy our views of the Texas Panhandle and North Texas, and look around where ever you are for those great photographs waiting to be made.
Most of these photos are available for sale at my Foto Time gallery. If you want a print or legal download of any of my photographs on this blog, check in my gallery. If it's not there, message me and I'll add it to the gallery of available art.
Saturday, February 27, 2016
It's actually easy (and often relatively cheap) to make some of your own items for a portable studio.
I've made a PVC backdrop stand that easily disassembles for transport. I use dyed canvas drop cloths and other large runs of cheap materials from my wife's fabric store clearance shopping runs.
A portable strobe with umbrellas, soft boxes, and other light modifiers is essential. Getting the exposure as good as possible in camera will help the final image to be easier to manipulate.
I used a large format camera trick I learned years ago to make the product stand out. Tilt. As in Tilt/Shift/Swing. On a large format camera, you can tilt or swing the lens board or the film back to change focus areas (focal plane) without affecting depth of field.
Since I'm not using a large format camera (any more) with all the movements, I used an image manipulation software program, in this case ACDSee Ultimate 8, to mimic the effect.
Here is the final image from one of this week's product shoots:
Explore your own options and ideas!
Thursday, February 18, 2016
Friday, February 12, 2016
Now you know!
It is one of a very small number of a special production run. Recently came up for sale and fetched $50,000.00
An extreme example, to be sure. But, quality products aren't cheap. A dud of a photograph can be made by someone shooting with this, tho. And an award winner can still taken with a 50 year old Yashicamat. It's not all about the equipment. But sometimes, a photographer needs a little more than the basics or consumer models.
Know your craft! Know your tools!